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Set List
- Gonna Change My Way Of Thinking
- Shooting Star
- Beyond Here Lies Nothin'
- Don't Think Twice, It's All Right
- Cold Irons Bound
- Most Likely You Go Your Way (And I'll Go Mine)
- My Wife's Home Town
- Stuck Inside Of Mobile With The Memphis Blues Again
- High Water (for Charlie Patton)
- I Feel A Change Comin' On
- Highway 61 Revisited
- Nettie Moore
- Thunder On The Mountain
- Ballad Of A Thin Man
- Like A Rolling Stone
- Jolene
- All Along The Watchtower
Photos



Comments
The Sound and the Fury
As I type, the sun is shining and it's another perfect day. The Fury has passed. The Fury is shorthand for how my friend Bodie so aptly and eloquently described the sound of what we witnessed Bob Dylan conjure up before us Tuesday night at the Hollywood Palladium: "a whirling, psychotic, discordant, psychedelic swampy cloud of apocalyptic fury - is at once old as your bones and completely new." It can't be better stated. I am told that the band was just as great on the second night of Dylan's three night run on Sunset Blvd (and I confess the setlist provokes mild jealous tendencies) but that the Fury wasn't quite there. The Fury, you see, is not something that can be conjured at will, not even by Bob. Oh, it comes when willed, but when it so wills itself as well, even perhaps on unassuming rainy Tuesday evenings.
Regarding that setlist, I must confess to an almost unhealthy desire to hear "Leopard Skin Pill Box Hat", as Dylan opens with it so frequently, yet the comical blues romp has eluded me every time I see him. I also would have loved to hear "The Man in Me." But then I realized those songs, as great as they are, do not bring the Fury. The apocalyptic bookends of "Gonna Change My Way of Thinking" and "All Along the Watchtower" are the only things powerful enough to contain the Fury within, and also seem to act as some sort of magnet - positive on positive - and the energy in between is the Fury. The opening lines of the night:
Gonna change my way of thinking
Make myself a different set of rules...
Jesus said, "Be ready,
For you know not the hour in which I come"
And the final words of the evening:
But you and I, we've been through that, and this is not our fate
So let us not talk falsely now, the hour is getting late...
Outside in the distance a wildcat did growl,
Two riders were approaching, the wind began to howl.
"Shooting Star" followed:
Listen to the engine, listen to the bell
As the last fire truck from hell
Goes rolling by, all good people are praying,
It's the last temptation
The last account
The last time you might hear the sermon on the mount,
The last radio is playing.
The apocalyptic, chaotic religious imagery continued throughout the night:
Albert's in the grave-yard, Frankie's raising hell
I'm beginning to believe what the scriptures tell
You brought me here, now you're trying to run me away
The writing's on the wall, come read it, come see what it say
I been to St. Herman's church and I've said my religious vows
I've sucked the milk out of a thousand cows
I went to church on Sunday and she passed by
My love for her is taking such a long time to die
One look at you and I'm out of control
Like the universe has swallowed me whole
God said to Abraham, “kill me a son”
Something is happening here
But you don't know what it is
Indeed.
Then there was the bad weather, to quote Hemingway. Speaking of Hemingway, Dylan in his craft has consistently heeded Papa’s wise words to, "Remember to get the weather in...weather is very important." Weather was important Tuesday night as Hollywood was awash in a thick and misty rain right out of The Big Sleep. Dylan even cracked a smile as he sang during "Nettie Moore", in one of the few mellow breaks in the Fury, "I think the rain has stopped," amused at himself almost as much as we were.
High water risin', six inches 'bove my head
Coffins droppin' in the street like balloons made out of lead
It's bad out there
High water everywhere
I'm waist deep, waist deep in the mist
It's almost like, almost like I don't exist
The winds in Chicago have torn me to shreds
Reality has always had too many heads
Thunder on the mountain, fires on the moon
The sun keeps shinin' and the North Wind keeps picking up speed
Beyond here lies nothin'
Nothin' but the moon and stars
The Fury that rained, and reigned, upon and over us lucky souls Tuesday night is a force greater than the sum of its parts, and yet, its parts are extraordinary. A musical catalog of Shakespearian weight; an ace band of musicians who are seasoned and prepared yet loose enough to play each night as if it were the first…or the last; guitar ace Charlie Sexton back in the band who brings more than mere licks, but rather an energy that fuels, feeds, and provokes Dylan, who happens to be singing with control and nuance, playing a gold sparkle pick-guarded guitar at times, resulting in a gloriously entangled, rust-coated blend between Sexton, Donnie Herron’s steel or banjo or fiddle or mandolin, and Dylan’s erratic and inspired leads, as if Dock Boggs were in Muddy Waters’ band; Dylan’s keyboard playing, which is so drastically more intricate and important than it was even last year, that I can not imagine the band now without those circus sounds; the Bunraku theater of Dylan’s modern day Mr. Jones – a maniacal marinate, harmonica in hand like a divining rod to guide us through the layered confusion and deliver us – as he stalks the stage to watch, judge, pronounce, reveal and conquer, awash in a light so marvelously hued, so perfectly placed, as if to redeem us in our arrival at the well, and then…the Eye unfolds.
I used to see the all knowing eye logo that descends during the encore as some sort of ominous Big Brother iconography, but now I've come to find it comforting. Not so much that we are being watched, but rather, that we are being looked after. A sort of shelter from the storm. Our discordant ring leader assuring us that, while the Fury cannot be contained once unleashed, its power is not meant to harm us, and we should enjoy the ride. I don't know if Bob tries to conjure the Fury every night. I suspect he can't unilaterally; there is some other unseen force at play. Having Sexton back in what is the tightest and loudest band working today certainly helps. So does Dylan's uncanny ability to so easily dip into his unending catalog for just the right material, in just the right sequence on just the right night. Or maybe it's the weather.
Amazing.
No Rating
This show was incredible! Its been a while since I have seen him enjoy himself as much as he did tuesday.. although I am short,and at least 3 rows up were packed with men over 6 feet tall which blocked my view, I had a blast.. Thanks to the random stranger who was kind enough to bring the bar to me so I didnt lose my spot!! Nothing better than a great show, a great crowd and dancing to live Dylan!
ed michelle al and sue
No Rating
what r u bums doing in hollywood? causing trouble i am sure. michelle, dont scare the govenator (ed please watch here)...i dont think they r ready 4 OUR movie yet, anyway thank u 4 the set lists on bobdates. if i had 2 wait 4 it 2 post here the sun would be up and u know what they say, the early bird catches the bob worm......nevermind.
keep up the good job and sue, give al a big hug and kissss 4 all those diamonds & things! its great 2 be in the glow of it all. see u bobkats later.
Great show
No Rating
The Palladium is a great venue to see Bob. I remember seeing him at the Forum in 86 when he was playing with Tom Petty. We were up near the rafters in the back of the arena. Bob comes on, says he sees some openings up front and invites those in the back to come fill in the front. The sermon on the stage. We moved up as close as we could. Still much closer at the Palladium.
Loved Ballad of Thin Man. Bob was in fine shape.
Can see by videos that his performance is unbelievable
No Rating
I am watching the Portland show videos right now and you can see and feel the electricity. Bob and the band is unbelievable.
Chalie Sexton adds vibrance and brings out the best in Bob. His voice is excellent and the heart and soul is comming across. Really something. The Sugar baby performance touches the heart and soul of anyone watching. You can feel the magic and who he is. Even better now than when he was young. There is a kind of love that comes through and humanity that brings tears to your eyes.
http://www.youtube.com/watch?v=MQiAatOu5JE
Bob Dylan at The Hollywood Palladium - October 13, 2009
On October 13, 1989...I witnessed an amazing show by Bob Dylan at the Beacon Theater in New York. Dylan was in rare form that night...He had recently released OH MERCY, his strongest album in years...and played a lot of songs from that record...plus classics like “It Takes A Lot To Laugh, It Takes a Train To Cry”, “Don’t Think Twice, It’s Alright”, “Like A Rolling Stone” and more...During the last number, “Leopard Skin Pillbox Hat”...Dylan finished the song by doing a little jig, then leaping off the stage into the darkness below...It was a truly bizarre, yet brilliant way to end the show.
On October 13, 2009 – 20 years to the day that I saw Dylan at the Beacon Theater, I saw Bob Dylan and his band perform at the Hollywood Palladium in L.A. What’s changed in 20 years? Well...let me think about it...Oh yeah...EVERYTHING. Yet you wouldn’t know it from the scene outside the Palladium...where post-modern hippies (as well actual hippies from the 60’s and 70’s) mulled about...smoked pot openly on the street...and was offered everything from peace sign stickers, and petitions to legalize marijuana...to bootleg t-shirts, and self-published Bob Dylan books. I arrived at 6:00pm and the line was already very long...I was later told that some people were out there on line as early as 6:00am that morning. As I listened to conversations around me...I realized very soon that among this crowd, I was a lightweight. These people were hard core Dylan fans...who traveled around the west coast (and perhaps the country) checking out one Bob Dylan concert after another. Their bond as Dylan fans was something I could only relate to at a distance.
Eventually the doors opened around 6:30pm. For some reason all Dylan shows have a strict NO CAMERAS policy...There were signs, and security people yelled it out loud...just in case we missed the message. Inside the venue...the security people were on the lookout for cameras...even scolding some iPhone users for taking just one picture. Yet to my delight...unlike the old, pre-renovated Hollywood Palladium (which always made you walk through metal detectors)...the new Hollywood Palladium just let people in (though they searched bags, etc...). That said, I snuck my camera in...hoping for the best.
I ran inside...and got as close as I could to the front of the stage...It was all General Admission, and I was standing around the third row. Seemed there was a good mixture of people there...ages ranges from kids in their 20’s, to people in their 60’s and beyond. I chatted with some kids who drove up from Ventura, and had been waiting outside the Palladium since 12 noon. Spoke with a young woman who was at the show with her father...After I saved her spot while she went to the bathroom, she also was kind enough to save my spot while I made a lighting fast bathroom run. Lots of different sizes in the crowd...plenty of tall people over 6 feet...and I was standing near several people who looked no taller than 4 ½ feet...I wondered how they were going to be able to see once the concert started. Pot was in the air...and I heard more talk from the die-hard fans...There was a guy who saw Bob Dylan in his Rolling Thunder Review in 1975 at Madison Square Garden...He spent much of the night going through his collection of pictures on his iPhone...and checking Dylan as well as Springsteen setlists...One guy in his late 50’s passed out...causing a ruckus for a while...
Legendary 60’s Sunset Strip guitarist/singer Johnny Rivers opened the show...and he was quite good...playing with gusto on his hits like “Secret Agent Man”, “Midnight Special, “Mountain of Love”...plus a few Chuck Berry tunes. His guitar playing, though simple...was very impressive. During the show, I noticed there was a woman next to me sketching Johnny Rivers and his entire band on a large notepad...an unusual occurrence for a standing room only rock and roll concert. By the end of Johnny Rivers’ set, I had gotten even closer to the stage.
After a short break, Bob Dylan and his band hit the stage. Dylan is now 68 years old, his voice is more rough and torn than it has ever been...and his walk isn’t so great...Yet, I’ve never seen Bob Dylan look and sound more alive than I did last night. Opening strong with a song I didn’t recognize (“Gonna Change My Way Of Thinking”)...the energy from Dylan and the band was incredible. Unlike the awesome, yet subdued Dylan concert I saw last year at the Santa Monica Civic Auditorium...THIS Bob Dylan was animated and full of life...and his band was on fire. Perhaps it was just in my mind...yet it seemed that the return of great Texas guitarist Charlie Sexton (remember him? He had an MTV hit in the 80’s, and played with David Bowie)...breathed new life into Bob Dylan...really put some fire under Dylan’s older frame. The next song was a nice surprise...Last year, Dylan played the whole concert at stage left...playing the keyboards on the side of the stage exclusively...Last night he came out front and center...with just a microphone and a harmonica in his hand...and sung a great version of “Shooting Star” (from 1989’s OH MERCY). Dylan’s harmonica playing was tentative...yet he sung with all his heart...and swayed and pumped to the rhythm. Unlike last year, Dylan actually picked up a guitar, and played center stage on “Don’t Think Twice It’s Alright.” His guitar playing, like his harmonica playing, was hesitant...It seemed as if he was unsure of himself on the guitar...strapped in close to his chin, with the guitar neck tilted sky high (the easiest way to play bar chords)...I heard a rumor he’s had wrist problems...or some sort of situation that makes it difficult now to hold and play the guitar. Perhaps this was the reason Dylan played the way he did last night....and so sparingly.
One curious note, despite the relatively small size of the Hollywood Palladium (holds about 4,000 people)...and despite getting near the front of the stage...I still felt a great distance between Bob Dylan & his band, and the audience. Unlike other concerts I have seen... Bob Dylan and his band were not set up at the front of the stage...Instead, they were set up way upstage...towards the back of the large stage area. So when Dylan was front and center...he was really center upstage. This, plus the large security pit that was placed between the first row area, and the stage itself. I kept wishing Dylan would move closer...yet it never happened. Yet I was fortunate to have gotten as close as I did, so I should just shut up. Later, the wave of the crowd pushed me further forward...planting me in the 2nd row area. On the floor of a GA concert, all bets are off...mob rules...so anything goes...Yet I held my ground, and fortunately came out of it in one piece...I think.
As the night wore on...Dylan grew more comfortable on the guitar...even trading licks back and forth with Charlie Sexton...in a duel of some sort. Sixth song of the night “Most Likely You Go Your Way (And I'll Go Mine)” (from 1966’s BLONDE ON BLONDE) was another surprise...I had never seen him perform that song before. It was fun to hear him sing songs he recorded in 1965 like “Ballad Of A Thin Man” and “Like A Rolling Stone”...I watched Dylan closely as he sang those famous tunes...wondered if these songs held any meaning for him now...of if he had to really force himself to do it. Though not keeping his vocals and phrasing in line with the 1965 recordings...Dylan’s delivery was still very much his own...who is now...today in 2009...and not some oldies act struggling in vain to recapture the magic. Speaking of songs, the new material sounded fantastic. No, he did not play any tunes from his just released Christmas album CHRISTMAS FROM THE HEART...yet he did play no less than four songs from the other Bob Dylan album released this year...TOGETHER THROUGH LIFE. They all sounded great...In fact they sounded so good, I didn’t even recognize most of them...makes me want to listen to TOGETHER THROUGH LIFE again...After each song, Dylan would walk over to stage left...check the set list...and either go out front, or sit on the side of the stage with his keyboards. Even when he was sitting, Dylan was bopping and groovin’ to the music...I watched his facial expressions, and movement...even catching a smile every now and then...Dylan seemed to be have a really good time...just like his audience...
Tuesday's show
No Rating
Johnny Rivers went on at exactly 7:30 and Dylan went on at 8:35 (left the stage at 10:25). The sound was far superior to that of the Santa Monica Civic's.
What Time Did Dylan Go On
No Rating
Its raining in LA, what time did he go on. Johnny Rivers opening act? Can't wait
A Performance Like No Other
Bob at the front mike without a guitar, singing like he was Judy Garland or something. Playing guitar a lot, playing organ. Charlie rippin' on the guitar. Fantastic lighting, especially for Bob's turns at the front mike. Great set list and above average sound for once (note to Bob: hire Rick Brown for live sound! Really, it can be done so much better). Anyway, thanks Bob, for a fantastic show and for still being on the road, heading for another joint.
All I wanted was a Pepsi......
Oct 13 Hollywood Palladium
Dylan was in top form. Animated, laughing, enjoying the performance. It was a show for the ages. Add to that a great Johnny Rivers set and you have a night that makes the top 10 list of best concerts I've ever seen.
Last Night
No Rating
Great Show!!
Johnny Rivers Opening was a great gift.
Lucky!
No Rating
I would have loved to hear Most Likely, one of my favorite songs of all time.
yes yes yes
No Rating
this is the set list with all the dynamite.
2 live it u had 2 explode.
i am waiting patiently with my dog on the jetty 3000 miles away facing another ocean all alone on a cold but very sunny beach 4 the fireworks 2 reach me and heat me up.
set list
No Rating
mr.dylan's set list are getting much better.
the kid
Hollywood Palladium - October 13th
The man is unbelievable. It was a fabulous concert. He just gets better, if that's possible!